Hyosun Lee
Nocturne, 2022
[ Lost between the love and uncertainty ]
The process of painting is like drawing a well in the sky and then moving the deep blue water onto the canvas. Someone drew a door on the wall and opened it and went in. Shall we disappear together through the door?
A well-sealing (Coffered seiling) originated in the 4th century Azanta stone cave in India. Poet Yun Dong-ju looked at the dark ceiling from the prison. In stone caves, in prison, what should we become to meet yearning or love again.
“In the well, there is a bright moon, clouds, sky, blue wind, autumn, and a man like a memory.”
After lighting up A well-sealing like a candle, I’ll paint again. In the hope that we will meet again in the distant universe.
Nocturne, 2022
Ambiguous time_02 – Cherry, 2021
Palm to palm 09 - Like a shower, 2023
Like a flower rain_02, 2022
Through the door that I had not closed, 2022
We, holding hands, 2022
Life is like ‘E-ge’ (Only or To), 2022
An exhibition for false portraits, 2022
Like a flower rain_03, 2022
Unhappy present, 2016
I am both myself and others., 2023
Untitled, 2021
Space oddity 23, 2022
the wolf on the motorcycle, 2023
Ambiguous time_05 – delighted wearingness, 2021
Untitled, 2023
Karte #18, 2022
Pig Dog, 2023