Exploring the Beginnings of 10 Young Collectors

Milan Young - Venus, Apollo, and Hurdles, 2022 - Gillian Jason Gallery

Exploring the Beginnings of 10 Young Collectors

enturing into the world of art collection can prove to be a complex and intricate pursuit, particularly for those taking their initial steps. For the emerging generation, the ever-evolving landscape of the art world sets the stage as they embark on their distinctive journeys.

The motivations driving art acquisition are as diverse as the pieces themselves. In conversations with Artsy, a panel of 10 dynamic young collectors offers insights into their individual pursuits. These collectors, all aged 35 or younger, delve into the realm of purpose that fuels their acquisitions. Their journeys are guided by a myriad of intentions—be it activism that resonates with societal change, the illumination of specific communities, or an instinctual connection to the art itself.

Artsy’s discussions with these 10 influential young collectors reveal the intricate tapestry of their passions and motivations. Each collector, on their own unique trajectory, delves into the reasons behind their engagement with the art world. With perspectives as varied as the art they acquire, these collectors shine a light on how their generation is shaping the art landscape of tomorrow.

Meet Georgia Powell, Curator and Collection Manager, London and Ginoles, France

From the shores of childhood to the halls of art curation, Georgia Powell’s affinity for collecting has remained steadfast. As she recounts to Artsy, her earliest memories include being the beachcomber, the one who would diligently gather shells, filling the car seats with treasures on the journey back. An inherent desire to surround herself with the intriguing and the beautiful has shaped her narrative.

Georgia’s journey led her to the realm of art curation—an avenue that felt like a natural progression. Remarkably, she took the helm at The Redfern Gallery in London at the tender age of 21, fresh from her university graduation. This early exposure to the art world catalyzed her growth as a curator and collection manager, setting her on a path where her passion and profession intertwined.

Trusting her instincts became the cornerstone of Georgia’s collection-building process. Her intuitive approach allowed themes to emerge organically, leading her to discover her inherent affinity for abstract and figurative paintings. This realization guided her to include the works of artists like Soumya Netrabile, Hormazd Narielwalla, Clara Adolphs, and Amy Beager within her ever-evolving collection.

The term “collector” holds a deeper meaning for Georgia than mere status—it signifies a set of responsibilities. She emphasizes the practical obligations that accompany the role, transcending the association with the word itself. In her role as an educator at Christie’s Education, she instills this perspective in her students, urging them to understand the weight of the term. Georgia’s focus extends beyond acquiring art; it encompasses the preservation and stewardship of artistic legacies, a perspective she ardently shares.

In Georgia Powell, we find a curator and collection manager whose journey speaks of an enduring passion for beauty, a commitment to responsible collecting, and an ever-evolving connection with the art that surrounds her.

Millie Jason Foster, Director, Gillian Jason Gallery, London

In the vibrant tapestry of London’s Soho district, Gillian Jason Gallery stands as an unmissable spectacle. Its storefront, bedecked with expansive windows showcasing vibrant and audacious works by female and nonbinary artists, paints a vivid picture of the creative haven within. This gallery is more than a space; it’s a familial venture that kindled Millie Jason Foster’s profound connection with art collecting.

Millie, a director at the gallery, reminisces about her foray into art collection—a journey that began when her mother, Elli, and she took the reins of her grandmother’s gallery. The decision to exclusively champion women’s artworks ignited her passion. “I really started building my collection when my mother, Elli, and I decided to take on my grandmother’s gallery and solely [champion] the artworks of women,” shares Jason Foster. She grew up witnessing her grandmother, Gillian Jason, who established the gallery in 1982, tirelessly spotlighting “brilliant women at a time where female artists really were not being championed.”

Today, the gallery’s portfolio boasts a diverse array of artists including Milan Young, Bethany Hadfield, Savannah Marie Harris, and Elisabeth Frink. The legacy of the family matriarch resonates in Jason Foster’s collecting philosophy. Her artistic taste and the holistic view of her collection have been shaped by her grandmother’s steadfast dedication.

Jason Foster’s collection is a symphony of original works, encompassing a variety of mediums, but always radiating authenticity. Comparing collecting to assembling a wardrobe, she notes that every piece contributes to an ensemble that reflects her personal essence and tastes.

Her connection to collecting art is both intellectual and emotional. With a background in investment banking, she recognizes the value of art as an alternative asset. However, her perspective transcends financial considerations. She advocates art’s social and personal dimensions, highlighting the transformative impact of supporting emerging female artists as a means of giving back.

For Jason Foster, the thrill of collecting lies in observing an artist’s evolution over time. Her approach echoes the very spirit of her family’s gallery—a nurturing space where art isn’t merely acquired, but artists are celebrated and their careers flourish. Millie Jason Foster embodies the passion and purpose that drive the art world forward, embracing the gallery’s ethos and translating it into a life enriched by artistic expression.

Malcolm Jenkins, Entrepreneur, Executive Producer, Philanthropist, Racial Justice Advocate, Retired 2x Super Bowl Champion, 3x Pro-Bowler, Philadelphia

Malcolm Jenkins, a multifaceted force to be reckoned with, has seamlessly woven another remarkable thread into his tapestry of accomplishments: that of an art collector. A quick study by nature, he approaches this new endeavor with the same fervor that defines his other pursuits. Jenkins’s insatiable appetite for learning and his innate passion are the driving forces behind his entrée into the art world. He articulates, “I love to learn, and it’s always been something that I’ve been passionate about. For me, it’s just like I’ve been working on these things subconsciously for some years. And now it’s just about putting some structure and education around it, and moving with intention.”

Before assuming the role of an art collector, Jenkins had already left an indelible mark on the world as a professional football player. His 13-season career in the NFL, marked by victories and accolades, includes contributing to the Super Bowl victories of both the New Orleans Saints and the Philadelphia Eagles.

The seeds of Jenkins’s artistic appreciation were sown in his childhood. He draws from memories of an aunt who was an artist, an influence that instilled a deep appreciation for art and collecting. Upon retiring from the NFL, his journey as an art collector was catalyzed during a 2022 visit to an art studio in Venice. This experience ignited his fervor to delve deeper into art, propelling him toward a serious engagement with collecting.

Guided by the desire to cultivate a profound connection with art, Jenkins collaborated with an art advisor. This collaboration led him into the inner sanctums of studios and introduced him to the art world’s luminaries, facilitating an invaluable education. While he navigates the business aspects of collecting, Jenkins remains anchored to the emotional resonance of the pieces he acquires. Artists like Ernie Barnes, who left an indelible imprint on Jenkins’s childhood, and Khari Turner, who weaves history and artistry through his works, hold a special place in his collection.

For Jenkins, the journey isn’t solely about financial investment; it’s an emotional and passionate venture. Meeting artists and forging connections is the source of delight, especially when it comes to elevating emerging Black artists. Jenkins aspires to be part of their journey, witnessing their growth and contributing to their trajectory as they rise in prominence.

In the tapestry of Malcolm Jenkins’s life, art collection is a vibrant thread that mirrors his passion, advocacy, and determination to make a difference. With every carefully selected piece, he cements his role as an agent of change within the art world and beyond.

Laurence Milstein, Co-Founder, PRZM; Trustee, Parrish Art Museum; Vice-Chair, Frick Young Fellows Committee, New York and London

Laurence Milstein wears his love for art like a badge of honor. “Authors are often encouraged to write the books they want to read. I think something similar can be said about collecting—support the art you want to see in the world,” he eloquently shares, encapsulating his approach to art acquisition.

This philosophy has been a guiding light for shaping Milstein’s art collection. A passionate advocate, he has directed his focus towards championing queer contemporary artists. As a young collector, Milstein recognizes the power he wields to uplift voices that have historically been marginalized, both within the art realm and society as a whole. His collection exudes an authentic mission—surrounding himself with art that sparks joy and introspection, with an emphasis on queer artistic expression.

Laurence’s affinity for art can be traced back to his upbringing. Reminiscing, he recalls moments when his mother would permit him to skip class and accompany her to the Metropolitan Museum of Art. This early exposure ignited his fascination, with works like John Singer Sargent’s “Madame X” leaving a lasting impression.

Navigating the art world as a young collector presented challenges, but Laurence’s unwavering dedication and authenticity have been his compass. Overcoming age-related perceptions, he emphasizes the sincerity behind his collecting endeavors—the intention to cherish and display each piece, not merely to accumulate.

In addition to co-founding the forward-looking consultancy PRZM, Milstein is a vice-chair of the Frick Young Fellows Committee, an influential role that allows him to govern and guide a dynamic group of art supporters aged 21 to 45. His persistence has proven invaluable, enabling him to secure pieces by acclaimed artists like Kehinde Wiley, Robert Mapplethorpe, and Derrick Adams.

Laurence Milstein’s journey is a testament to how passion and purpose intersect in the realm of art. Through his collection, advocacy, and engagement, he magnifies the voices of underrepresented artists, ushering in a new wave of artistic appreciation and societal transformation.

Raphaël Isvy, Collector and Curator, Paris

For Raphaël Isvy, the art of collecting has been a lifelong fascination that has gradually evolved into a passionate pursuit. While his active involvement in art collection began in early 2016, his obsession with the concept of collecting traces back to his early days—whether it was Pokémon cards or sneakers, the allure of assembling treasures held an innate charm.

However, Isvy’s ultimate aspiration was art, and he dived into this journey with ardor. A collector and curator based in Paris, he draws inspiration from the cultural richness that permeates the city’s fabric. Paris, he notes, is a living museum, an open canvas that has nurtured his appreciation for all things artistic.

After a decade-long career in finance and asset management, Isvy pivoted, allowing his passion for art to steer his path. What began as a side passion transformed into a driving force that urged him to expand his network, immerse himself in fairs, exhibitions, and artist studios. The quest to secure the finest pieces propelled him to new heights of dedication. Recognizing the importance of time in the art world, Isvy made a transformative decision. Last November, he embraced art as a full-time pursuit, relinquishing his previous roles to immerse himself in the realm of art—collecting, dealing, curating, and even aiding galleries in discovering new artists.

This leap has yielded remarkable results. Isvy’s collection now boasts an impressive array of 150 pieces, featuring luminaries such as George Condo, Tracey Emin, Robin F. Williams, and Robert Nava.

Though driven by passion, Isvy’s journey as a collector hasn’t been without its complexities. He acknowledges that the art of collecting is an intricate domain, far from simplistic. Accessing works by sought-after artists and achieving a harmonious balance within a collection—considering elements like style, medium, color, gender, era, and artistic movement—present their own challenges.

Reflecting on these learning curves, Isvy humbly acknowledges that mistakes are part of the process. As he navigates the labyrinth of art, his journey epitomizes the dynamic process of growth, learning, and evolving taste that every collector encounters.

Sophia Cohen, Associate Director, Gagosian; Chair, Guggenheim Young Collectors Council; Steering Committee, Milken Institute, New York and Los Angeles

Artistry runs deep in Sophia Cohen’s veins, a passion cultivated from an early age as the daughter of acclaimed art collector Steve Cohen. Her artistic journey was one of organic growth, as she honed her discerning eye through her upbringing. “I developed an urge [to buy art] and I bought what I could afford. I remember I started when I was 13,” she shares with Artsy.

From that humble start, Sophia’s collection burgeoned, a testament to her innate connection with art. Her affinity for surrounding herself with objects of significance, for crafting her personal narrative through her collection, proved irresistible. Her collection now proudly hosts creations by luminaries like Anna Park, Anna Weyant, Rashid Johnson, and Jonas Wood.

Sophia’s journey into the art world took a unique trajectory. Initially drawn to archeology, she found herself exploring the tangible history of human objects—a pursuit that laid a foundation for her eventual immersion in the art realm. This intersection between archeology and art unveiled a deeper understanding, one she used to craft her path. Notably, her master’s thesis on Michael Heizer, focusing on the interplay between his father’s archaeology and his own artistic practice, marked a pivotal point in her academic journey.

This unique perspective lent her a profound appreciation for the tactile nature of art’s materials and the stories they hold. Sophia’s background in academia and archaeology has beautifully converged in her role as an associate director at Gagosian, where she currently contributes her expertise. Beyond her professional pursuits, Sophia’s influence extends as the Chair of the Guggenheim Young Collectors Council and as a member of the Steering Committee at the Milken Institute.

Sophia Cohen’s journey reflects a fusion of heritage, academic exploration, and unwavering passion for art. Her trajectory from an adolescent collector to an influential figure within the art world highlights the transformative power of following one’s passions. In her, we find a collector, curator, and advocate whose narrative weaves seamlessly into the evolving tapestry of art.

Huma Kabakci, Independent Curator, Cultural Producer, and Second-Generation Collector, London

Huma Kabakci’s collection is more than an assemblage of artworks; it is a tapestry woven with stories of artists and a lineage that traverses generations. Her journey as a curator, cultural producer, and second-generation collector embodies a profound connection to art that stems from her father’s legacy. “I didn’t begin the collection; my late father did in the late 1980s,” she shares with Artsy. “He had a gallery in central Istanbul. I remember spending a lot of time in his gallery and artist studios. I was very curious from the start to learn more and to make sense of my dad’s passion.”

Driven by a desire to comprehend her father’s fervor, Huma delved into books about curation and art during her formative years. This ignited a thirst for knowledge—a thirst to understand not only the history and essence of art but also the future of collecting. While pursuing studies in advertising and marketing in London, an internship at a gallery at the tender age of 18 exposed her to the works of artists like Ai Weiwei, Kader Attia, and Susan Hefuna before they attained global recognition.

Susan Hefuna’s art resonated deeply with Huma. “She’s an Egyptian artist living in Germany, so I was so excited to share all of these artists with my dad,” she reflects. Their shared discovery of an older, rare piece by Susan Hefuna marked a significant milestone—their first purchase together.

Following her father’s passing, Huma inherited the mantle of custodianship over the collection at the age of 19. Driven by the responsibility of preserving and expanding this artistic legacy, she pursued an MA and MPhil program in curating contemporary art at the Royal College of Art, London. Today, Huma’s collection encompasses nearly 900 works of art by notable artists like Hefuna, Ardan Özmenoğlu, and Fahr-El Nissa Zeid.

Her father’s belief that a collection should transcend generations, akin to a relay race, echoes in Huma’s aspirations. However, she recognizes the weight of this responsibility. “I agree [to an] extent that it has to be a living, breathing collection and it changes,” she affirms. “But at the same time, that’s a lot of [responsibility] for the next generation.”

Blending her unique perspective with her family’s legacy, Huma Kabakci has forged her own path. Embracing research, dialogue, and connections with fellow second-generation collectors, she shapes her collection with a contemporary spirit. Her recent participation in the Domus Artist residency in Galatina, Italy, exemplifies her commitment to engaging in inspiring conversations and fostering connections that bridge generations—a testament to her dedication to nurturing and expanding the legacy she inherited.

Amar Singh, Human Rights Activist, Arts Patron, and Entrepreneur, London

Amar Singh is a force determined to reshape the art world’s narrative. “The top 20 most expensive works in the world are all by white men,” he underscores, shedding light on the glaring inequities present in the art landscape. His conviction is clear: it’s time for a change. “There are remarkable painters, who are gay, who are lesbian, who are female, who are Black females, but they just haven’t been included in the conversation,” he asserts.

As a human rights activist, art patron, and entrepreneur, Amar Singh recognized the gates that stood within the art world, perpetuating exclusion. “It has to be shattered down,” he insists. Fueling his passion, he constructed his collection as a powerful platform to amplify the voices of marginalized communities and artists who have long been overshadowed. His collection stands as a testament to his commitment, embracing artists from female, LGBTQ+, and minority backgrounds, breathing life into their artistry. Beyond his collection, Singh’s dedication finds expression through his Amar Singh Gallery, which provides a stage for underrepresented artists, alongside his philanthropic endeavors.

In 2021, Singh joined forces with Christie’s for a transformative sale. Six works were auctioned, with a portion of the proceeds channelled towards Vital Voices, a foundation championing women’s rights. This collaboration bore fruit, generating over $1.2 million. The roster featured luminaries like Helen Frankenthaler, Grace Hartigan, Elaine de Kooning, Yvonne Thomas, and Lynne Drexler.

Lynne Drexler’s story encapsulates the essence of Singh’s mission. Her art, once relegated to anonymity, now commands substantial sums at auction, a testament to the evolving narrative he champions. Singh recognizes the deeper implications of his endeavor. “With all of this comes a whole new wave of culture,” he emphasizes. His vision extends beyond art; it encompasses cultural shifts that ripple through society. Through his advocacy, Singh is ushering in change that transcends collections, leaving an indelible mark on the cultural fabric.

Amar Singh stands as a beacon of transformation—a catalyst driving inclusivity and change within the art world and beyond. His journey underscores the power of activism, art, and entrepreneurship to illuminate unseen narratives and pave the way for a more equitable cultural landscape.

Joseph Awuah-Darko, Director, Noldor Artist Residency, Accra, Ghana

Joseph Awuah-Darko’s journey as a collector encapsulates the wisdom gained through years of experience. His insights resonate with clarity: “Any collector knows that there is no such thing as a spontaneous decision,” he imparts. “More often than not, it is a decision where you have to consider a number of different factors.”

Community and mentorship lie at the heart of Awuah-Darko’s collection, a narrative woven through the fabric of his journey. “It unfolded very organically. This journey began through my obsession with studio visits,” he explains. His connections with artists, nurtured through friendships, introduced him to the realm of contemporary African art—a journey of exploration that led him to “nurture and acquire emerging artists on the continent in a meaningful way.”

Amidst his collection, Modupeola Fadugba, a self-taught Nigerian multimedia artist, stands as a foundational pillar. “She was one of the first artists I ever acquired. She has really been one of the artists I’ve looked to,” he shares. Her innovative mixed-media approach has significantly influenced his collection strategy.

The art community also bestowed upon Awuah-Darko the gift of mentorship, with fellow collector Shane Akeroyd serving as a guiding light. “I really look up to Shane,” he affirms. “He is someone who is very focused in his convictions about the types of artists he supports.” This shared ethos of engaging deeply with artists and their work has fortified his journey.

Inspired by the bonds forged within the art community, Awuah-Darko founded the Noldor Artist Residency—a pioneering initiative in Ghana. This annual four-week program provides emerging African artists with limited access to resources a dedicated space in Accra to expand their creative horizons.

Guided by intuition, honed by experience, Awuah-Darko’s collection echoes his own convictions and unique perspective. He underscores the importance of internal belief when selecting pieces to enrich his collection. “The final decision should be down to your own internal convictions about an artist’s work, and should not be a borrowed belief in an artist,” he advises, encapsulating the essence of his journey as a collector, curator, and advocate within the realm of contemporary African art.

Sylvia Wang, Head of Asia, TRLab, Hong Kong

Sylvia Wang’s journey into the world of art collecting was sparked by a pivotal visit to Art Basel in Hong Kong in 2017. A connoisseur of innovative expressions across fashion, design, and aesthetics, Wang reflects, “The decision to start art [collecting] was also inspired by the strong boom of contemporary art and the increasingly mature market in Asia.”

In her role as Head of Asia at NFT platform TRLab, Wang is at the nexus of the burgeoning contemporary art scene and the dynamic shifts within the Asian art market. She attributes her academic journey at the University of Hong Kong as a guiding force shaping the thematic underpinnings of her collection. “I majored in international relations, and that’s why I’ve always been fascinated by artworks discussing geopolitics, which is also one of my collection’s directions,” she shares.

Wang marries her tech-savvy inclinations with her academic foundation to cultivate and evolve her collection. Modern art platforms serve as her informational bedrock, keeping her attuned to the latest developments in the art industry. This knowledge forms the compass guiding her collection’s trajectory. Her appreciation of art history further informs her choices, a steadfast reminder that enduring artworks often have the potential to become historical landmarks. “Art history is always the foundation for collectors to trace back and look ahead,” she emphasizes. “Whenever you have doubts, think about whether the work’s prominent or pioneering enough to be recorded in art history in 10–20 years.”

Exploring platforms like Artsy has allowed Wang to draw inspiration from artists like Cai Guo-Qiang. “I always admire Cai Guo-Qiang’s exploration through various mediums including drawing, installation, performance, and of course, the most famous ‘Gunpowder Drawings,'” she reveals. This exposure to diverse artistic expressions fuels her appreciation for novel art forms, further enriching her journey as a collector.

Sylvia Wang stands as a bridge between tradition and innovation, leveraging her academic insights and technological acumen to navigate the ever-evolving landscape of contemporary art collection. Her story encapsulates the symbiotic relationship between history and progress, yielding a collection that resonates with her passions and the transformative spirit of the art world.

Exploring the Beginnings of 10 Young Collectors